Reviewed by Kevin
Fehr
Rating: 4/10
Takashi Shimizu has made his career off a single haunted house.
He’s the man responsible for Ju-on, which was one of my first J-Horrors
and it continues to creep the Jesus out of me, along with this second Japanese
installment Ju-on 2. In 2004, when I heard that he was directing
the American remake staring Sarah Michelle Gellar, I was both anxious and
very annoyed. On one hand (my right hand), I wanted to see some new
scare tactics from Shimizu and how they would translate in a more Hollywood
environment. On the other hand (my left hand), the movie would star
Sarah Michelle Gellar and other actors that would mostly only appeal to
a younger audience. The Grudge was going to be produced with
in mind that 13-19 year old boys and girls were going to be swarming to
the theaters to catch a slice of cheesy teen horror pie! Now, we
all know that was some nasty pie...but...it was still pie, and I have to
say that I had a good time watching the film despite its MANY shortcomings
to Shimizu’s original achievement. The Grudge 2 is really
no different. If you sit back and try to except the fact that a bunch
of princesses are going to be running around the screen within a bunch
of scenes that feel awkward or mildly scary, you might actually have a
good time with The Grudge 2. Now, if you are looking for Shimizu’s
second attempt to achieve with what works in Japan to also work well in
America...you will be very very disappointed.
Right away, when I was introduced to our main characters, I realized
that the film was going to be complete shit. I have never seen such
a sorry excuse of actresses in my life. Arielle Kebbel, and the other
school girls that follow her around, are given by god, no talent and outlandishly
HORRIBLE dialogue. If you find yourself laughing uncontrollably in
the first seven or eight minutes of this film...you are not alone because
the world be with you. Don’t say I didn’t warn you!
Now, let’s take it easy for a second. We'll put the talent and
the script behind us and focus on Takashi Shimizu’s influences behind the
camera. I can almost picture him jumping up and down on the set yelling,
"Oh OH!...you guys! You know what would be rrreally creepy!!!"
After watching The Grudge 2 or any of the Ju-on films for
that matter, you’ll come to realize that Shimizu has a wild and almost
sadistic imagination. It's as if he takes all of our nightmares we
had as children and piles them all into 90 minutes of edge of your seat
filmmaking. Still, for the most part, this film will not run your
fingernails down to the bone. I found that most of the time I was
too busy separating the scare scenes into categories of "incredibly lame"
or "almost, but not quite." You can do about the same with the story
here too. At times it's too confusing for its own good and you probably
won’t even bother to retrace the films steps to figure it all out.
It really is that bad of a film and you have to acquire the right frame
of mind while watching it to gather any enjoyment from the experience.
Simply put, the Ju-on series does not translate well to American
horror cinema. Ju-on and The Grudge gave you two totally
different viewing experiences, and while comparing their sequels, we’re
left with still the same outcome. In America, you'll have to watch
Shimizu’s films for a health dose of teen-horror fun. Hardcore scary
film freaks won't even jump once throughout The Grudge 2, but really...were
you expecting too? It’s Sarah Michelle Gellar and Amber Tamblyn in
a PG-13 horror flick! Sit back and have fun with this one.
Try not to get too critical.
I recommend this movie to people who like shitty horror films that are
still glossed over by the glossy hands of Hollywood. Also, if you
liked The Grudge, you'll probably feel right at home with The Grudge
2. |
The Grudge 2 (2006)
Starring: Amber Tamblyn, Edison Chen, Arielle Kebbel, Teresa Palmer,
Matthew Knight, Jennifer Beals, Ryo Ishibashi
Director: Takashi Shimizu
Writer: Stephen Susco
Studio: Sony Pictures
Rated: PG-13 for mature thematic material, disturbing images/terror/violence,
and some sensuality. |