Reviewed by Scottie
Thomaston
Rating: 9.5/10
First-time director James Wan's indie thriller Saw is a smart
and creepy film. Relying on only a few sets and key characters, it
manages to make you rethink your entire life and creep you out immensely.
Most of the action takes place inside a small decayed bathroom, where
our protagonists, Dr. Lawrence Gordon (Cary Elwes) and Adam (Leigh Whannell),
who also wrote the screenplay and co-wrote the story) awaken to find themselves
chained to a pipe with no explanation. After the initial shock of
waking up in a strange place, they discover a dead man lying in the floor
with a gun in his hand and his head blown off. Soon after that, Adam
finds a tape in his pocket, and they start to realize what’s happened.
Dr. Gordon and Adam have been kidnapped by the elusive Jigsaw killer,
given the name because he leaves a calling card in the form of a branded
jigsaw piece on his victims. Jigsaw is a clever killer: he never
actually kills anyone himself, instead causing his victims to hurt themselves
or others in order to teach them to value human life. One of the
two men has to kill the other before a certain time, or Dr. Gordon’s wife
(Monica Potter) and child who have been taken hostage by the killer will
die.
Through flashbacks we are shown some of Jigsaw’s past victims.
There, we meet Amanda, a former drug user who fell victim to Jigsaw’s game
and became the only survivor. Jigsaw placed a mask on her head which
was wired into her jaw, with a timer on it. On the floor next to her is
a man with the key in his stomach. Her jaw would be ripped open in
a matter of seconds unless she got the key. So what’s a desperate
person to do but chop the guy’s stomach open and retrieve the key?
At this point in the film, we already know Amanda survives. Therein
lays one of the most glaring problems with the film: a thriller is supposed
to be suspenseful, and while for the most part this movie works, problems
arise from the flashback scenes, which tend to lack a thrilling / suspenseful
feel.
There's not much else as far as flaws go. The acting is good,
with some performances (namely that of Elwes, as well as Danny Glover's
performance as the detective on Jigsaw's trail who is slowly descending
into madness) bordering on great. Monica Potter does an okay job
as Dr. Gordon's neglected wife.
With movies in which the actors are confined to only a few key sets,
there is need for scenery that is well-constructed or interesting to look
at. This movie succeeds at that. The bathroom is an acting set piece
in itself. You learn just as many things from what’s hidden in the bathroom
as you do from what’s hidden inside the minds of the characters.
That particular set is awesome to look at despite its grittiness.
The stark white of the tile stands out against the generally dark and bleak
feel of the film, and almost seems even more desolate than the more dilapidated
parts of the scenery. This sullied white is broken only by a few
bursts of graffiti on the walls, leading to an overall feel of desolation
as well as the promise of a few hidden surprises. You just know that
things are hidden in that place that you’ll discover later in the movie.
The streets are dark and dreary, fitting with the tone of the movie.
Even the few scenes in Dr. Gordon’s home seem oddly cold and confining.
Jigsaw himself is an enigma throughout much of the film, with few hints
given as to his motives or his identity. The idea seems to be less
of a ‘whodunit?’ though, and more of a thoughtful introspective of the
motives of EVERYONE in life. If you’re looking for just a mystery
movie, this is probably not for you, though the twist is interesting.
I won’t reveal anything here but suffice it to say this was one of the
most interesting and well-done final plot twists I’ve seen in a movie.
It makes sense and though it may leave a few plot holes, those could be
explained away by other events in the film (and by the later short film
which was released as part of the DVD.)
The music in this film is also great, alternating from short bursts
of moody rock, to a final score which will remain stuck in your head for
hours after you’ve stopped watching.
James Wan has proven himself a good director. He clearly loves
horror movies, and a lot of influences from earlier films are noticeable.
Most of the film is dark, gritty, and dirty and that’s how it should be.
I do have one gripe, and that’s the jump cuts he uses a few times.
Those are completely unnecessary and take away from the impact of the intensity
and the gore. And there is lots of gore. Another thing I liked about
Saw was its use of gore. It’s as over-the-top as everyone is saying,
but there aren’t an excessive amount of gory scenes or senseless and pointless
murders just for shock value. It’s used sparingly and that’s what
made it so disturbing. It seemed more real, or likely.
The script is solid, with Jigsaw delivering the best lines, through
audio tapes and flashbacks.
Most importantly, this is one creepy film. It’s not only scary because
of what happens onscreen, but because it’s psychological in nature. There
are NO cheap scares using loud music. You will be thinking about its implications
for hours after viewing. It forces its way into your head and stays there
for a long time. |