HellWar: When Two Hells Collide By: Zach Hennis Disclaimer: I do not own any of the characters in this script. No copyright infringement is intended. This script was written purely and simply for fun. Open In On: Black Screen Ambient Sound: Demented laughter-seemingly distant Roll Opening Credits. AC/DCÕs HellÕs Bells is playing. A flash of light comes out of nowhere. Pictures from the movie, ÒThe FogÓ start to go on and off the screen. AC/DCÕs HellÕs Bells fades out. Black Screen. The song ÒJeepers CreepersÓ begins to play. Pictures from Jeepers Creepers 1 & 2 go on and off the screen. ÒJeepers CreepersÓ fades out. Black Screen. Music that you would hear at a carnival or circus begins to play. Pictures from the movies Killjoy and Killjoy 2 flash on and off the screen. The music fades out. Black Screen. Suddenly ÒsnowÓ (the kind of snow you get when your cable goes out) covers the screen. Carol Anne TheyÕre here! Kane (singing) God is in his Holy Temple, Earthly thoughts be silent now, While with reverance we assemble, And before His presence bow, He is with us now as we call upon his name, Aiding every good endeavor, Guiding us through the rain. The ÒsnowÓ stops. Black Screen. The song, ÒRed Right HandÓ begins to play. Pictures from ChildÕs Play 1, 2, 3, and Bride of Chucky cross the screen. The music stops playing. Black Screen. Black SabbathÕs song, ÒAfter All (The Dead)Ó begins to play. Pictures from the movie Ò13 GhostsÓ go across the screen. Music fades out. Black Screen. Black SabbathÕs song ÒChildren of the GraveÓ plays. Pictures from all of the ÒChildren of the CornÓ movies go on and off the screen. Music fades out. Black Screen. Iron MaidenÕs song ÒRun to the HillsÓ begins to play. We see pictures from the movies ÒPumpkinhead 1-2Ó. We also hear sound clips. Chris YaÕll know what settles on badlands donÕt ya? Maggie And to think, itÕd be easy, need and clean and painless, youÕre a fool! Joel You canÕt help himÉ most you can do is take him straight to hell. Chris AccordinÕ to the legend, if one man does somethinÕ bad to another man, itÕs gotta be somethinÕ real bad, somethinÕ like killinÕ, and the other man can have Pumpkinhead conjured up to take avenge. Chris Goddamn you, Goddamn you! Maggie He already has son, he already has. Maggie Play the final prize all the sooner. Music fades out. Black Screen. CreedÕs ÒUnforgivenÓ starts to play. We see pictures from Leprechaun 1-4 and Leprechaun In the Hood flash across the screen. Sound clips also play. Leprechaun ItÕs not nice to steal gold coins from a Leprechaun. Ha, HaÉI want me gold. Happy St. PatrickÕs Day. Sit back me friend, you may feel some painÉÕtis a pit I forgot me novaccaine. Levely golden palaces, completely full of riches, IÕll ripÕem off and robÕem blind, those dirty sons of bitches. Music fades out. Black Screen. MetallicaÕs ÒDonÕt Tread on MeÓ plays. We see pictures from the movie ÒBonesÓ go on and off the screen. Music Fades out. Black Screen. MetallicaÕs :The UnNamed FeelingÓ plays. Pictures from the ÒOmenÓ series cross the screen. Music Fades Out. Black Screen. WhitesnakeÕs ÒHere I Go AgainÓ starts to play. Pictures from the movie ÒNight of the Living DeadÓ go across the screen. Sound clips are heard. Barbara TheyÕre slow, we could just walk right past them, we wouldnÕt have to run, we could just walk right past them. TheyÕre us. WeÕre them, theyÕre us. Harry The bodies of the recently dead are returning to life. Driven by an unknown force that enables the brain to continue to function. Ben This is Hell on Earth. This is pure Hell on Earth. Music Fades Out. Black Screen. Black SabbathÕs ÒToo LateÓ plays. Pictures from the ÒHowlingÓ movies cross the screen. Sound clips play. We hear a werewolf howl. Karen But I have proof. Tonight out here I have to show you something. Make you believe. George A Silver Bullet. Chris Let me go, Let me go, I wanna end it. ItÕs the only way. I gotta end it. I gotta burn. George I wanna give you a piece of my mind. Bill You canÕt tame as meant to be wild dog. It ainÕt natural. George DonÕt think somebody couldÕve stolen him do ya? Terry He didnÕt get up and walk out on his own. Fred ThatÕs a lot of Hollywood bologna. Your classic werewolf can change shape any time it wants, Day or Night. Whenever they take the notion to do it. ThatÕs why they callÕem shape shifters. Music fades out. Black Screen. MetallicaÕs ÒUnforgivenÓ plays. Pictures from the ÒWishmasterÓ series flash across the screen. Music Fades out. Black Screen. QueenÕs ÒAnother One Bites the DustÓ starts to play. Pictures from the movie Ò28 Days LaterÓ go on and off the screen. Music Fades Out. Black Screen. PanteraÕs ÒCowboys from HellÓ starts to play. Pictures from the movies ÒSilence of the Lambs,Ó ÒHannibal,Ó and ÒRed DragonÓ flash across the screen. Sound clips also play. Hannibal Lector YouÕre so ambitious arenÕt you? You know what you look like to me, with your good bag and your cheap shoes? You look like a rube. A well scrubbed, hustling rube, with a little task. Good nutritionÕs given you some length of bone, but your not more than one generation from poor white trash. A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti. Black Screen. Same music still plays. Pictures from the movies ÒPsychoÓ 1-4 flash across the screen. Sound clips play too. Lila Crane Do you have a vacancy? Norman Bates Oh, we have twelve vacancies. Twelve cabins, twelve vacancies. She might of fooled me, but she didnÕt fool my mother. Lila Crane I declare. Sam Loomis I donÕt, thatÕs how I get to keep it. Norman Bates But sheÕs harmless. SheÕs as harmless as one of these stuffed birds. Why, she wouldnÕt even harm a fly. Mother ItÕs sad when a mother has to speak the words that condemn her son. Norman Bates You, you eat like a bird. Mother, my mother, what is the phrase? She isnÕt quite herself today. Mother No I will not hide in the fruit cellar, ha ha. You think IÕm fruity, huh? Norman Bates Well a, a boyÕs best friend is his mother. Music fades out. Black Screen. MetallicaÕs ÒUnforgiven 2Ó starts to play. Pictures from the movie ÒStephen KingÕs ItÓ flash across the screen. Black Screen. Same Music plays. Pictures from the ÒPuppetmasterÓ Series go across the screen. Black Screen. Same Music still plays. Pictures from various vampire movies flash across the screen, we hear sound clips from ÒFrom Dusk Till Dawn.Ó Seth Gecko Those acts of God really stick it in and break it off, donÕt they? Carlos Now letÕs kill that fucking band! Seth Gecko Everybody be cool! You be cool! And if there is a hell, and those sons of bitches are from it, then there has to be a heaven, thereÕs gotta be. Carlos What were they psychosÉer? Seth Gecko They look like psychos? Is that what they looked like? They were vampires. Psychos do not explode when sunlight hits them. I donÕt give a fuck how crazy they are. Black Screen. Same music still plays with a chainsaw revving up in the background. Pictures from ÒThe Texas Chainsaw MassacreÓ 1-3 go across the screen. Sound clips play. Franklin YouÕre just a cook! John Larroquette The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular, Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were youths. But had they lived very, very long lives, they could not have expected nor would they haves wished to see as much of the mad and macabre as they were to see that day, for them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American History. Music stops playing. Black Screen. We start to hear the sound of bees buzzing in the background. We see pictures from ÒCandymanÓ 1-3 flash across the screen. KidÕs voice/turns into a manÕs voice Candyman, candyman, candyman, candyman, candyamn. Candyman You brought me here. Helen No, no! Trevor Candyman, Farewell to the flesh. Jake Say his name five times into the mirror and he will appear. The bees buzzing fades out. Black Screen. In the background we hear ÒFreddyÕs ThemeÓ play. Pictures and sound clips from the ÒA Nightmare on Elm StreetÓ series are seen and heard. Freddy You die! Nancy I just asked you to do one thing, just stay awake and watch me, just wake me up if it looked like I was having a bad dream, and what do you do, you shit, you fell asleep. Nancy Glenn! Wake up! Are you there?! Freddy IÕm here. Nancy Kreuger!(echoing) I know youÕre there Freddy! Freddy Hey, Nancy, No running in the hallways. Ha, ha, ha, ha. NancyÕs Mom You wanna know who Fred Kreuger was? He was a filthy child murderer who killed 20 kids in the neighborhood, kids we all knew. Freddy Kreuger You think he was going to get away from me? NancyÕs Mom He canÕt get you now; heÕs dead hunny, because mommy killed him. Nancy This is just a dream. YouÕre not alive. This whole thing is just a dream. IÕm gonna go and look for somebody and I want you to stand like a sort of a guard, okay? Okay? Now you canÕt mess up, a lot might depend on this. Freddy Every town has an Elm Street. The song stops. Black Screen. Pictures from the ÒFriday the 13thÓ Series flash across the screen. Sound clips also play. All sound clips are consumed by Ch-Ch-Ch-Ha-Ha-Ha. Pamela Voorhees Kill her mommy, kill her. Crazy Ralph GoinÕ to Camp Blood, ainÕt ya? YouÕll never come back again. ItÕs got a death curse. IÕve gotta warn yaÉyouÕre doomed if you stay. Go, go! YouÕre doomed. YouÕre all doomed. Tommy Jarvis (Kid) Die, Die, Die, Die! Tommy Jarvis (older) Seeing it wonÕt, but destroying him once and for all will. Jason belongs in hell. IÕm gonna see that he gets there. Creighton Duke IÕm going to kill Jason Voorhees and I need your help. Mark Happy Friday the 13th. The Ch-Ch-Ch-Ha-Ha-Ha grows louder, then suddenly stops. Black Screen. The Halloween Theme begins to play. Pictures from the ÒHalloweenÓ series go on and off the screen. Sound clips are also playing. All sounds are consumed by heavy breathing. Harold Michael Myers, born October 19, 1957. Killed his older sister, October 31, 1963. Killed three high school students, October 31, 1978É Dr. Loomis I met him 15 years ago. I was told there was nothing left. No reason, no conscience, no understanding, not even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year old child with this blank pale emotionless face and the blackest eyes, the devilÕs eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up, because I realized that what was living behind that boyÕs eyes was purely and simplyÉevil. Laurie Strode It was the boogeyman. Dr. Loomis As a matter of fact, it was. I shot him six times. I shot him in the heart. I shot him six times. HeÕs not human. Sheriff Brackett You know itÕs Halloween, I guess everyoneÕs entitled to one good scare, huh. Dr. Loomis HeÕs gone from here, the evil is gone. Death has come to your little town, Sheriff. You can either ignore it or you can help me to stop it. He came home. You must be ready for him. If you donÕt, itÕs your funeral. Mr. McKenzie Is this some kind of prank? IÕve been trick or treated to death tonight. Dr. Loomis You donÕt know what death is. The music fades out. Black Screen. The Hellraiser theme plays. (The music that plays when the box is opened) Pictures from ÒHellraiserÓ 1-4 flash across the screen. Sound clips are also heard. Pinhead The box, you opened it, we came. Kirsty Collins ItÕs just a puzzle box. Pinhead Oh no, itÕs a means to summon us. Kirsty Collins Who are you? Pinhead Explorers, in the further regions of experience. Demons to some, angels to others. Kirsty Collins Go to Hell. Female Cenobite We canÕt, not alone. Pinhead You solved the box, we came, now you must come with us, taste our pleasures. Oh, no tears please, itÕs a waste of good suffering. Kirsty Collins Wait, wait, please wait. Pinhead No time for argument. Kirsty Collins YouÕve done this before right? Pinhead Many, many times. Nobody escapes us. Suppose he has escaped us. What has that to do with you? I want him to confess himself. Then maybe, maybeÉ Female Cenobite But if you cheat usÉ Pinhead WeÕll tear your soul apart. We want the man who did this. This isnÕt for your eyes. We have such sights to show you. No donÕt do that. Wait. No. Female Cenobite No? Pinhead No. It is not hands that call usÉIt is desire. Ah, Kirsty, and we thought weÕd lost you. Female Cenobite So sweet of you to come back. Pinhead How can it send us back, child? WeÕre already here, and so are you. Kirsty Collins No! YouÉYou canÕt. It wasnÕt meÉI didnÕt do it. I didnÕt open the box. Female Cenobite DidnÕt open the box. And what was it last time? DidnÕt know what the box was. And yet we do keep finding each other, donÕt we? Pinhead Oh Kirsty. So eager to play, so reluctant to admit it. Female Cenobite Perhaps youÕre teasing us. Are you teasing us? Kirsty Collins But I didnÕt open it. I didnÕt! Pinhead Then why are you here? Kirsty Collins IÕve come for my father. Pinhead But heÕs in his own Hell, child, and quite unreachable. But itÕs true. He is in his own Hell, just as you are in yours. ItÕs different for us. Female Cenobite WeÕve always been here. Pinhead We have no more surprises. But please, fell free, explore. WeÕll always be here. We have eternity to know your flesh. Dr. Channard And to think, I hesitated. Pinhead Oh. No boxes. Such a shame. Female Cenobite No more delays, Kirsty. No more teasing. Time to play. Pinhead Time to play. No more deals, Kirsty. ItÕs your flesh we want to experience, not your skill at bargaining. Kirsty Collins No deals! Just information. Pinhead Go on. But trick us again, child, and your suffering will be legendary, even in Hell. WhatÕs this? Someone else us think escaped us, like Frank? Kirsty Collins No, No, this one didnÕt escape. You told me youÕd always been in Hell. You were wrong. Look at it. ItÕs you. Pinhead Nonsense, IÉ Kirsty Collins ItÕs you. Remember? Female Cenobite Enough! Pinhead Wait! IÉremember. Cop DonÕt make us put some pain on you. Pinhead Pain? How dare you use that word. Cop 2 HeÕs got pins in his head. Pinhead What you think of as painÉis only a shadow. Pain has a face. Allow me to show it to you. Gentlemen, I am pain. I know your pain I hear it, ÒPlease donÕt separate me from my brother.Ó I give you my wordÉthat will never happen. A lesson, princess. Work with me, or for me. They say the greatest suffering a parent can know is the loss of a child. Temptation is worthless princess. Suffering is the coin of the realm. Music fades out. Black Screen. SuperImpose: Hellwar: When 2 Hells Collide Suddenly a knife, machete, chainsaw, FreddyÕs finger knives, a hook, and a werewolf claw all take pieces out of the title. Then we see hooks, from the rotating box in ÒHellraiserÓ, hook into the title. We hear a sound clip from ÒHellraiserÓ Frank Cotton Jesus wept. Then the hooks pull and the title explodes. Open In on: Desert Terain-Day A strong sandstorm is moving through the desert. SuperImpose: Somewhere in the Sahara Desert-1953 We see a figure walking through the sandstorm. The CAMERA cuts to a close-up of the figure. We recognize the man as Elliot Spencer. He is dressed in British explorer clothes and is carrying a backpack and a map. He is fighting his way through the sandstorm. Several moments later he falls to the ground, exhausted. The wind blows away some sand to uncover a box. We recognize the box as the Lament Configuration. Elliot Spencer opens his eyes and sees the box. His eyes get big and he sits up and clutches the box in his hands. Cut To: Int. Quansett Hut-Day A quansett huts are typical military quarters , complete with a curved ceiling of corrugated material. The furniture has been stripped and the blinds are down. We see Elliot Spencer kneeling on the ground with the box out in front of him. He reaches out and picks up the box. He stars to try to open the box. He turns the box in every direction and touches everywhere. It seems he canÕt open it. He runs his finger around the circle on the box. The box opens. Elliot Spencer sets the box back on the ground. The box finishes opening. Elliot Spencer leans over and looks down into the box. It looks like a seemingly endless hole. Suddenly the chains with hooks come out of the box and hook into Elliot SpencerÕs flesh. Elliot Spencer Noooo! Cut To: A tent in some kind of Asian market. We see an Asian Man and a fat American man sitting at a table. Asian Man WhatÕs your pleasure sir? Fat Man (eagerly) The box, the box is my pleasure. ItÕs what I want. Asian Man Then itÕs yours. The Fat man slides some money across the table and the Asian man hands him the box. P.O.V on the Fat Man He is admiring the box. He licks his lips and smiles heavily. He runs his fingers around the circle on the box. The box begins to open. The Fat man throws the box on the table because he is frightened. Fat Man WhatÕs going on? He looks up to find the Asian man but he is gone. The Fat man tentatively looks down into the box. P.O.V Through the Fat man. We see pitch black inside the box. Hook come up out of the box. The fat man them and falls to the ground. Fat Man Jesus Christ! He gets up and begins to run and the hooks are chasing him. He keeps looking back at the hook while he is running. A few moments later he runs into a pole and is knocked to the ground. The hooks dig into him and drag him back to the box. When the fat man is inside the box, the Asian man picks it up. Asian Man It always was yours. Suddenly a little boy about eight years old grabs the box from the Asian man and runs off. Asian Man Perhaps it will meet your desires too. Cut To: Int. Market/ Store-Day We see the little boy run into the store and run behind the cashier counter, his mom is the cashier. Little Boy (Holding up the box) Mommy! Mommy! Look what I found! Mom Where did you get that filthy thing? Little Boy I found itÉ (Pause) on the street. Mom I want you to take it back, right now! Little Boy Ah, mom. Do I have to? Mom Now! The little boy walks over to the door then stops. He looks back at his mom. She is paying no attention to him. He runs into one of the aisles of the store. He sits down on the floor and starts playing with the box. A few moments later he runs his fingers along the circle on the box and the box opens. The little boy backs away from the box scared. The hooks shoot up out of the box. The little boy runs around the store. The CAMERA follows him. He stops in the cereal aisle and stands up against the shelves. A few seconds pass and there is no sign of the hooks. The little boy looks up and the hooks are hanging right over him. He runs to the other side of the aisle and climbs the shelves. He gets to the top shelf. He looks back. The Hooks are coming after him. He jumps off the shelf. The Hooks get him before he reaches the ground. The CAMERA follows the little boy as the hooks drag him back to the box and lock him inside. The CAMERA zooms in on the box. Moments later a hand grabs the box and picks it up. P.O.V on the man that picked up the box. He is staring at the box. He looks around to see if anyone is watching him. He puts the box inside his coat and walks outside the store. Cut To: Int. Strip Club-Night We see strippers dancing and men, like wild dogs, slobbering over the women strippers. We see a man walk into the club. We recognize him as the man who picked up the box. The man starts looking around the club. P.O.V. Through the man. He is still looking around the club. P.O.V. on man His eyes stop searching. P.O.V. on a woman stripper in the corner of the club. She motions the man to come over. He walks over to the stripper. She takes him to a room in the back of the club. He sits down on a couch. She begins to strip for him. Stripper Are you ready for this? Man Oh yeah. She gives him a lap dance. The stripper stops. She slips her clothes back on. Man What do I owe you? The stripper begins to touch the man and kiss him. She feels the box in the coat. Stripper What is that? The man pulls the box out. Man I found it in a store earlier today. Stripper You give that to me as payment and weÕll call it even. The man thinks hard about it. Man I donÕt know. Stripper ItÕs just a box. How much could it be worth? Man Then what good would it do you? Stripper Decoration, for my house. My bathroom. Man ThatÕs more than what I would do with it. Okay. You got a deal. The man hands the stripper the box. The stripper kisses him. The man leaves. The stripper is sitting on the couch and is playing with the box. A few moments later she caresses the circle on the box and the box opens. The strippersÕ eyes get big. Stripper Wow. She looks down into the box. The hooks come up and hook into her. Stripper (Screaming) Ahhhhh. The hooks pull her into the box. The box closes. Cut To: Int. Workshop SuperImpose: 200 years ago. We see Phillip LÕMerchant working on the box. Zach Hennis (V.O.) Centuries ago, a man built a puzzle box, the first box, his finest work. He designed it for a man obsessed with the darker side of evil. Phillip was so proud of his workÉ Phillip LÕMerchant is working very focused on the task at hand. Zach Hennis (V.O.)(contÕd) Éa work that would establish his name, his family. He didnÕt know the great power the box heldÉand the unspeakable things it would release, the evil, the sins, the pain. The voice over ends and we hear one final pounding of the hammer. Phillip LÕMerchant Ha, Ha. P.O.V. on door We see a woman enter the room. Woman Is it done? Phillip LÕMerchant (sighs) Done. Woman What is it like? Phillip LÕMerchant Wonderful. Woman How good are you? Phillip LÕMerchant (Laughing) The finest toy-maker in all of France. Woman What does this thing do? Phillip LÕMerchant pushes things off a desk and sets the box down. He opens the box. Woman Oh. It doesnÕt do much, does it? Phillip LÕMerchant (upset) ItÕs my masterpiece. You simply couldnÕt understand. He puts the box inside a bag and leaves it in the workshop. Phillip and the woman exit the workshop. Cut To: Int. Black Space. SuperImpose: Present Day. The Black screen continues and rising slowly from it and falling slowly onto it in a dream like, surrealistic way, comes various images of Elliot SpencerÕs time in Hell. We can see his sensual and orgasmic responses to what is being done to him. Cuts appear spontaneously across his face, leaving a grid-like criss-cross pattern of wounds. A disembodied hand gripping a hammer drives nails into each corner formed by these wounds and as the face comes into view we recognize the person as Pinhead. Flash Cut To: Int. Black Space We see the Fat Man lying on a table screaming in fear. Out of the darkness we see a gigantic earthworm looking thing that we recognize as Leviathon, hook into the skull of the fat man. We hear the fat manÕs pleasurable screams. Leviathon drags him into a box-like cavity that seems to be lined with flesh. We see a suction like thing attach to the Fat ManÕs face and start to pull the skin. We also see a vine-like thing with a blade on the end stab into the Fat ManÕs belly button. The Fat ManÕs Pleasurable screams continue. We see flashes of red light, and when we can see the Fat Man again we recognize him as the Butterball Cenobite. Cut To: Int. Black Space. We see the little boy laying on a table with his arms strapped above his head and straps around his ankles. We also see hooks attached to his lips. The little boy is screaming in agonizing pain that is almost pleasurable. Suddenly the table starts to pull the boyÕs body, stretching him to make him longer. The hooks on the boyÕs lips also begin to pull. The screaming has now turned fro agonizing to pleasurable. A black shadow crosses the screen. And now, instead of the little boy laying on the table, we recognize the figure as the Chatterer Cenobite. Cut To: Int. Black Space. We see the stripper strapped in a chair. She is struggling to get free. She realizes that there is no escape and stops struggling. Suddenly razors swipe the stripper hair off, even leaving some cut marks on her scalp. Then two disembodies hands hook two metal rods into the stripperÕs throat and pull her throat apart until there is a hole in her throat. They hook the other end of the rods into the trapezius (neck/shoulder region). One of the hands reaches into the Strippers throat. The stripper screams in terrorizing pain. The hand pulls out. The CAMERA zooms in on the throat and back out. The stripper is no longer in the chair, instead the figure is recognizable as the Female Cenobite. Cut To: Int. School-Day We see student at there lockers. School is apparently over. Moments later the students clear out of the hall, but a few remain. We see Casey Purdum and Jessica Flora making out. Casey pins Jessica up against the lockers. They are kissing very passionately. We see a teacher walk out of a classroom right next to the set of lockers where Casey and Jessica are making out. The teacher sees the couple kissing. The teacher clears his throat as he walks by. Casey Purdum WhatÕs up with that Mr. Byers. Mr. Byers (Still Walking) I didnÕt say a word. Casey turns back to Jessica. Casey Purdum DonÕt forget, we have that thing at HennisÕ house tonight. Jessica Flora What time are you picking me up? Casey Purdum I canÕt give you a ride. I have practice then IÕm going straight to his house. Jessica Flora ItÕs okay, IÕm sure I can find a ride. We see Stephanie Payton walk by the couple. Casey Purdum Hey Stephanie. (Pause) Can you give Jessica a ride to HennisÕ house? Stephanie Payton UmÉYeah. (To Jessica) Why donÕt you just come over to my house right now? Jessica Flora Okay. Just give a sec. Casey and Jessica kiss one last time. Jessica walks away with Stephanie. Zach Hennis comes running from the opposite direction. Zach Hennis Get your ass to practice, coach will be pissed if your late again. Casey Purdum LetÕs go. They run out of the picture. Cut To: Ext. School-Football Field-Day We see the school football team practicing. We see bits and pieces of the practice in flash cuts. The CAMERA stops on Zach Hennis who is in his stance. P.O.V. Through Zach We see dark spots (shadows) flashing across the screen. P.O.V. on Zach He is still in his stance but is seemingly nervous and has a dazed , confused look on his face. P.O.V. Through Zach. The shadows continue across the screen. P.O.V. on Zach Same look on his face. Quarterback Hut! The play starts. Zach Hennis seems lost. He gets creamed by a blitzing linebacker and lays motionless on the ground. P.O.V. on Zach from above. The players begin to surround Zach. Fade Out: To Black. Voice Zach. Zach? Zach! Fade In On: Int. Locker Room We see Zach Hennis lying on a table. The trainer is checking him out. Players are walking around the locker room. Some of the players walk up to Zach. John Hostetler How ya feelinÕ man? Zach Hennis IÕm fucking dizzy. Josh Smith walks up. Josh Smith (Sarcastically) Suck it up pussy. Zach Hennis Shit. Casey Purdum walks up. Casey Purdum You gonna be alright dude? Zach Hennis Yeah. Casey Purdum We still on for tonight? Zach Hennis Oh yeah. Make sure everyone is there too. Casey Purdum Alright man. Peace. All players leave the training area. Trainer You sure you feel fine? Zach Hennis Yeah. I think IÕm good to go. Trainer Okay. The trainer packs up his stuff and leaves. Zach takes a few deep breaths and gets up off the table. He walks over to his locker and begins to take off his pads and other football equipment. He changes into his normal clothes and exits the locker room. Cut To: Int. Zach HennisÕ house-Basement-Night The basement is dark, the only light is illuminating from the candles. The CAMERA cuts to shots of Zach Hennis, , John Hostetler, Josh Smith, Dusty Adler, Jenni Crager, and Stephanie Payton. They are all sitting in a circle. Zach looks up. Zach Hennis Where are Casey and Jessica? Cut To: Int. Zach HennisÕ house-bedroom We see Casey Purdum and Jessica Flora having intimate sex. They have sex for about 5 minutes and then they are done. Cut To: Basement We see Casey and Jessica walk down the stairs to the candle lit basement. They join the circle. Dusty Adler ItÕs about time. Zach Hennis LetÕs begin. Zach Hennis pulls out a box that is similar to the Lament Configuration but is not the same. He has the Nacist Configuration. Zach Hennis This box that I hold, was obtained through an old, Asian Merchant. I was told it represents the pleasures of the world but can be used as the pain of Hell. Dusty Adler How does it work? Zach Hennis Allow me to show you. Zach opens the box. Stephanie Payton Wow. Jessica Flora WhatÕs in it? Zach Hennis takes a look down into the box. P.O.V. Through Zach Zach Hennis Nothing. Just a black ho-É Suddenly Zach begins to see the shadows flashing again. Josh Smith Dude what is it? WhatÕs wrong? Cut To: A shot of Maldok and Ramskes standing in the corner of the basement. They are like ghosts, they go unnoticed by the group. Maldok He sees the shadows you know. Ramskes Yes, but is he ready? Maldok IÕm almost certain that heÕs ready. Ramskes I hope youÕre right. Cut To: Back to group. The shadows stop. Zach peeks into the box again. He sits back. Zach Hennis There is nothing, only blackness consuming darkness. Suddenly hooks come up out of the box and hook into each member of the group. Each person seems impervious to the pain, but instead are in some sort of hypnotic state. Suddenly the chains pull each person into the box beginning with Casey Purdum and ending with Zach Hennis. The basement is now empty. All of the Candles flicker out. Black Screen. Cut To: Int. Attic-Night We see Frank Cotton kneeled on the ground, the box in front of him, and both are surrounded by candles. He reaches out and picks up the box. He begins feeling the box and touching it all over. He runs his finger over the circle on the box. The box begins to open, He throws the box out in front of him. The Cenobite theme plays. Moonlight shines through holes in the walls. One of the walls splits open in front of Frank Cotton. The wall behind him opens in two spots. Frank turns around to see. He turns back around and the Chatterer Cenobite is standing there. The Chatterer Cenobite puts two fingers in FrankÕs mouth. Stepping out of the two openings in the wall behind Frank, are the Butterball Cenobite and the Female Cenobite. Pinhead steps out of the opening in front of Frank. Pinhead AhhhÉFree. The Chatterer Cenobite removes its fingers. Frank Cotton WhoÉWhat the fuck are you? Pinhead We are the Cenobites. Explorers of the Flesh. The Damnation of your World. Frank Cotton What do you want? Female Cenobite We want your flesh. Pinhead You are the first. P.O.V. on Frank. He looks really scared. Pinhead Oh. DonÕt worry. WeÕll exploreÉslowly. Hooks come from all directions and hook into FrankÕs flesh. The hooks pull Frank completely apart. Female Cenobite What are we to do now? Pinhead Play. Cut To: Woods-Night We see Pumpkinhead roaming through the woods. The Chatterer Cenobite steps out in front of Pumpkinhead. Pumpkinhead stops in his tracks. The Butterball Cenobite steps out behind Pumpkinhead. Pumpkinhead turns around. The Female Cenobite steps out right in front of Pumpkinhead. Pumpkinhead throws her to the ground. Pinhead steps out in the distance. Pinhead AhhÉPumpkinhead. Which do you prefer, the pleasure or the pain? We see hooks come out of five different trees and hook into Pumpkinhead. The Hooks tear PumpkinheadÕs body apart. Cut To: Int. KilljoyÕs funhouse. We see two teens exploring the funhouse. We hear KilljoyÕs laughter throughout the funhouse. Killjoy jumps out behind the kids and begins silently mocking them. They donÕt even know that he is there. Killjoy reaches over to something on the ground. He picks up a hatchet and holds it above his head. Out of nowhere a hook, hooks into KilljoyÕs hand. The kids turn around and see Killjoy. They run away. More hooks sink into KilljoyÕs flesh. The Cenobites step out of the shadows. Female Cenobite YouÕve had your time to play. Now itÕs our turn. The hooks tear Killjoy apart. Cut To: Int. House-Basement-Night We see Leprechaun counting his gold coins. He gets all the way to 99. Leprechaun IÕm missing one of me coins. Someone has stolen me coin. The Cenobites step out into view. Pinhead Precious little trinket. Leprechaun Who are ye? Gimme back me gold. Pinhead I prefer flesh over gold. Leprechaun Why would ye prefer that? Pinhead It has a better taste. Hooks fly into LeprechaunÕs wrinkly skin. Out of the dark, Chucky runs with a knife, and stabs it into PinheadÕs leg. Hooks fly into Chucky. Pinhead looks at Chucky. Pinhead No flesh! YouÕll serve another purpose in Hell. The hooks tear Leprechaun and Chucky apart. Cut To: Int. Sewer-Night We see Pennywise sitting up against the wall. Pennywise (deranged) They floatÉ They all float. YouÕll float too. Pinhead and the other Cenobites step into view. Pennywise (sorrowful) They donÕt float anymore. Pinhead Come with us, and they will all float again. You have my word. Pennywise Who are you? Pinhead Your savior, your Hell. The hooks tear into PennywiseÕs flesh and tear him apart. Cut To: Int. Apartment Building We see the Djinn stalking a girl. Djinn You fulfill the prophecy. Make your final wish. Girl (crying) Noooo! The Cenobites step up behind the Djinn. Pinhead Hell is waiting. Hooks stab into the Djinn. The Djinn bursts into flames then disappears. The Djinn reappears in a different spot in the room. Djinn I already belong to hell. Female Cenobite You belong to your hell. Not ours. Pinhead Your hell is weak. The hooks stab into the Djinn again. He canÕt break free this time. The hooks rip the Djinn apart. Cut To: Train Station-Night We see Helen Lyle sitting on a bench waiting on her train. Candyman (whisper) Come to me. Helen Lyle looks in the direction that the voice came from. Candyman (whisper) Come to me. She looks again. We hear a buzzing sound. Suddenly we see bees coming out of the tunnel. Moments later the Candyman comes out of the tunnel. Helen Lyle is frozen in fear. The Candyman clinches her in a hug. Helen is whimpering. Candyman DonÕt cry my dear. Candyman raises his hook and stabs it into the back of Helen Lyle. She falls to the ground dead. The Cenobites step out of the tunnel. Pinhead Such a tasty piece of flesh. Candyman Yes. She was. Pinhead You must come with us. Candyman I donÕt think so. A hook, hooks into the Candyman. The Candyman hits it off with his hook. Suddenly about ten hooks tear into the CandymanÕs flesh. They slowly tear his body apart. Cut To: Ext. Hewitt House-Texas-Midday The time changes from day to night. We hear a chainsaw sound coming from the within the house. Cut To: Int. House-Night. P.O.V. on Front door. We see a teenage girl walk up to the door. Girl Hello?ÉHello? My car broke down. I was wondering if you could help me? There is no answer. The girl opens the door and walks into the house. She walks to the end of the hall. Girl Hello? Suddenly the door behind the girl slides open. We see Leatherface come out revving his chainsaw. The girl turns around screaming, she starts backing up and falls down. Leatherface cuts her all over with his chainsaw. Blood spews everywhere. The Cenobites step out of the doorway. Pinhead Such a pity to cut up such lovely flesh. Leatherface turns around and looks at the Cenobites. Hooks grip into LeatherfaceÕs skin. Leatherface begins squealing. The Hooks tear his flesh apart. Cut To: Int. The Nacist Configuration-Death Realm We see Maldok, Shaltos, Ramskes, and Balthius-The Death Realm Council. The Hell Hunters appear in front of the council. (Zach Hennis, Casey Purdum, Jessica Flora, and Jenni Crager. Jessica Flora What is this place? Where are we? Maldok You have entered the Death Realm, my dear. Zach Hennis Where are the others? The council looks at Zach Hennis in some kind of awe. They turn and talk amongst each other. Shaltos (whispering) HeÕs the one. ItÕs him. Balthius (whispering) Yes, yes, He is the one. They look back up at Zach. Zach Hennis WellÉ Where are they? Ramskes Their bodiesÉcouldnÕt handle being in a place of such power. Their bodies deteriorated. TheyÕre dead. Zach Hennis Fuck man. Casey Purdum WhoaÉWhoa! Then why are we still here? Balthius You have been brought here to eliminate the evil in the realm. You are to destroy any Hell-being that you come across. You yourselves are dead. You canÕt be killed by anything other than a Hell-being. Jenni Crager Then how are we still here and the others arenÕt. Shaltos Your bodies were able to cope with the changeÉtheirs couldnÕt. Casey Purdum If weÕre dead, then what are we? Maldok YouÉ are the Moabites. Zach Hennis The whatÉ? Maldok TranslatedÉmeans Hell Hunters. Ramskes You have to make one of two choices. You can join heaven, and fight for God and for the good side of the realm, or you can create your own Hell and fight for neither side. Should you happen to choose the Evil side of the realmÉall that we know will be damned and destroyed. Casey Purdum (to Hell Hunters) What should we do? Zach Hennis I donÕt care, itÕs up to you. Shaltos No! (Pointing at Zach) You must choose. Zach Hennis Why me? Why do I have to choose? Maldok You are our savior. You are the Unforgiven. You can only die when you decide itÕs timeÉand you could bring yourself out from death. Zach Hennis Okay. (trying to take it all in) Well, when caught in a battled between Heaven and Hell, make them both suffer. Balthius You have chosen your fate. You must destroy any parallel Hell. Hell HuntersÉ donÕt give in to the flesh. Fade Out: To White Fade In On: Elm Street-Night We see Nancy walk out of her house. She walks into the middle of the street. We see a rabbit covered in blood cross her bath. Nancy looks at it in disgust. Freddy Krueger pops up behind her. He wraps his arms around her. Freddy Krueger Got ya babe. Ha, ha, ha. Nancy YouÕre a maniac. NancyÕs dad drives up in front of them in his cop car. He gets out. Nancy Daddy! Don Thompson Nancy! He fires a shot at Freddy. P.O.V. on Nancy Freddy is gone. P.O.V. on Don Freddy pops up behind Don. Freddy stabs him with his finger knives. Nancy runs up to her house. Just before she reaches the door. Freddy pops up in front of the door. Nancy canÕt stop and runs right into FreddyÕs finger knives. Nancy looks down at her stomach. The knives are all the way in. Freddy Krueger Now thatÕs some deep shit. Nancy falls to the ground, dead. Freddy opens the door to the house and walks inside. The house changed from NancyÕs to FreddyÕs house. Standing in the middle of the room is Amanda Krueger(Pinhead). Amanda Krueger(Pinhead) Stop killing Freddy. Freddy Krueger Yeah rightÉbitch. Freddy raises his glove hand, and hooks hook into each finger. Freddy Krueger What theÉ P.O.V on Pinhead Pinhead Your motherÕs flesh was easy to penetrate. Freddy Krueger This is my nightmare. Pinhead You belong in Hell with us. Female Cenobite We need your flesh. Freddy Krueger Take another look bitch. IÕm burnt to a fucking crisp. Pinhead We need you to help us. Freddy Krueger Oh Yeah. WhatÕs in it for me. Female Cenobite Death. Lots of death, lots of kids. Freddy Krueger HmmmÉ Sounds like my kinda party. Hooks fly out and into FreddyÕs flesh. The hooks pull him apart. Cut To: Camp Crystal Lake-Night We see several shots of the camp. Cut To: Int. Cabin-Bedroom-Night We see two teenagers lying in a bed making out. Cut To: Ext. Cabin- Night We are right beside a figure holding a machete and walking towards the cabin. Cut To: Int. Cabin-Bedroom The two teens are now having sex. Cut To: Est. Cabin-Night The figure is now just outside the cabin door. Cut To: Int. Cabin-Bedroom The teens are still having sex. Cut To: Int. Cabin-Downstairs The figure is walking up the steps. Cut To: Int. Cabin-Bedroom The teens are done having sex. We see the door slowly open. The teens look frightened towards the door. Jason Voorhees walks through the doorway. The teens see him and panic. Jason throws the machete at the boy. It goes right through his stomach. Jason walks over and grabs the girl. Jason throws her out of the window. Cut To: Ext. Cabin-Night We see the girl thrown from the window and land on the ground. Cut To: Int. Cabin-Bedroom. Jason pulls the machete out of the boys stomach. Jason turns around and the CAMERA pans with him. We see the Butterball Cenobite, Female Cenobite, and Pinhead stand before Jason. P.O.V on Jason The Chatterer Cenobite appears behind Jason. He grabs JasonÕs arms and holds them. Jason breaks free, turns around and stabs his machete into the chest of the Chatterer Cenobite. He falls to the ground dead. The Chatterer Cenobite now appears as the little boy he once was. Jason pulls the machete out. The Butterball Cenobite rushes Jason. Jason slashes the Butterball Cenobite right in the skull. The Butterball Cenobite falls to the ground dead and turns into his old self, the fat man. Hooks hook into Jason. More hooks come and wrap him up. Jason struggles but canÕt break free. Pinhead Jason, Your mother is dead. SheÕs waiting for you in Hell. Come with us and you will see her again. P.O.V on Jason He stops struggling as if to say yes. The chains unwrap around him and the rest pull his soul apart. Cut To: Haddonfield, Illinois-Night We see Laurie Strode, Jaime Lloyd, Stephen Lloyd, and John Strode running down the street. The Halloween Theme begins to play. Michael Myers is trailing behind them. The Hell Hunters appear between Michael Myers and the others. They spot Michael Myers who is seemingly coming after them. Jenni Crager ZachÉ Zach holds his hand up, motioning to Jenni to stop talking. Zach Hennis He canÕt see us. Michael seemingly walks right through the Hell Hunters. Casey Purdum Why couldnÕt he see us? Zach Hennis He isnÕt part of HellÉyet. Flash To: Michael Myers chasing the group. Laurie is leading the group. Laurie runs over to a house. Laurie Strode In here. They run into the old house. The Halloween Theme Stops. The CAMERA zooms out and we realize that itÕs the MyersÕ House. Michael steps into CAMERA view. He stops and looks up at the house. Cut To: Int. Myers House-Night We see the group hiding in an empty room of the house. Moments later we see MichaelÕs shadow under the door, and the floor creaks as he walks by. Jaime Lloyd I think heÕs gone. John Strode We can make a run for it. Jaime walks over to the door. She looks at the group with a worried look on her face. She slowly opens the door and peeks in all directions. She turns back to the group. Jaime Lloyd LetÕs go. Michael steps out behind her. Laurie Strode Look Out! Jaime turns around and sees Michael. Michael stabs her in the stomach with his knife. John Strode rushes Michael Myers. Laurie Strode John! No! Michael stabs the knife right through JohnÕs throat. Michael stalks up to Stephen. Michael lifts Stephen up against the wall. Laurie picks up a 2x4 and hits Michael in the back. It doesnÕt faze him. Michael looks at Laurie while he slits StephenÕs throat with the knife. Michael begins stalking Laurie. Suddenly Dr. Loomis and Tommy Doyle run into the room. Dr. Loomis shoots Michael six times. Michael is leaning up against the wall. He starts to slide down to the floor. Tommy grabs Laurie and the three run out of the room. Cut To: Ext. MyersÕ House-Night We see the three run out of the house and get into Dr. LoomisÕ car. They drive off. Cut To: Int. MyersÕ House-Empty room The CAMERA starts high and pans low. Michael Myers is no longer up against the wall. He is gone. Cut To: Ext. Dr. LoomisÕ House-Night We see the car pull up to the house. The three exit the car and run inside Dr. LoomisÕ house. Cut To: Int. Dr. LoomisÕ House. Dr. Loomis walks over to the phone. He picks it up and holds it to his ear. Dr. Loomis ItÕs dead. Tommy tries to turn on the lights but they donÕt turn on. Tommy Doyle The powerÕs out. Suddenly there is a knock at the door. Dr. Loomis walks over to the door. He cracks it a little bit and peeks outside. He realizes who it is and open the door. Sheriff Brackett and Deputy Ben Meeker step inside the house. Sheriff Brackett Dr. LoomisÉ Dr. Loomis Sheriff. My power is out. Sheriff Brackett The whole town is out, Sam. Laurie Strode ItÕs happening again. Tommy Doyle LaurieÉ Deputy Meeker WhatÕs happening again? Laurie Strode His never-ending hunt for me. Deputy Meeker WhatÉ? Dr. Loomis Michael Myers! HavenÕt you heard of him?! Deputy Meeker IÕve heard stories. Dr. Loomis Do either of you have a shotgun? Sheriff Brackett I have one out in my car. Deputy Meeker IÕll get it Sheriff. Deputy Meeker opens the door and walks outside. Cut To: Ext. Dr. LoomisÕ House-Night Deputy Meeker walks out to the car. He opens the trunk. He searches for the shotgun. He finds it, picks it up. He takes a step backward and runs into Michael Myers. Michael grabs him by the hair, pulls his head back, and slits his throat. Cut To: Int. Dr. LoomisÕ House Sheriff Brackett WhatÕs taking him so long? Sheriff Brackett walks over and opens the door. Michael Myers is standing there. Michael raises his knife and stabs Sheriff Brackett in the side of the neck. Brackett falls to the ground dead. Dr. Loomis Tommy, Laurie, get out. Now! Dr. Loomis draws his gun. Michael starts walking towards Dr. Loomis. Dr. Loomis fires six more shots into Michael Myers. Michael continues walking towards Dr. Loomis. Dr. Loomis tries to fire another shot but heÕs out of bullets. Michael stabs Dr. Loomis in the shoulder. Loomis falls to the floor. Dr. Loomis MichaelÉ Michael savagely starts stabbing Dr. Loomis over and over again. Dr. Loomis Nooooo. Michael stops stabbing Dr. Loomis and walks towards where Tommy and Laurie ran. Cut To: Street-Night. We see Tommy and Laurie running on the sidewalk. They both turn around and look back to see if Michael is chasing them. Tommy Doyle Where is he? They turn back around and right as they begin to start walking the Man in Black (Dr. Wynn) jumps out from behind some bushes. Laurie and Tommy jump back scared. Laurie Strode Shit. Tommy Doyle Damnit. Wynn, what the Hell are you doing here? Dr. Wynn Michael is out of control. Tommy Doyle No shit. Laurie Strode. Go get him under control. Dr. Wynn I canÕt. My power over him is gone. Tommy Doyle A maniac killer that canÕt be controlled. Great. Dr. Wynn Look, Lindsay Wallace is waiting for us. SheÕs parked in front of DaleÕs Gas Station. Laurie Strode WhatÕs she doing working for you? Dr. Wynn ThatÕs not important. Once we get to her, sheÕll drive us out of this town for good. Laurie Strode How do we know that Michael isnÕt waiting for us too? Suddenly Michael steps out behind Dr. Wynn. Laurie Strode Look Out! Michael stabs Dr. Wynn through the back and lifts him up off his feet. Dr. Wynn falls off the knife and to the ground, dead. The stalking theme starts to play. Laurie stands in shock. Tommy grabs Laurie and they begin running again. Michael stalks after them. Cut To: 5th an Main (The road for DaleÕs Gas Station)-Night The stalking theme stops. We see Lindsay WallaceÕs car in the distance. Tommy and Laurie run into CAMERA view. They stop and bend over for air. Tommy Doyle (pointing) Look. ThereÕs her car. They begin running again. They reach the car. Laurie looks into the car. We see Lindsay Wallace sitting in the car. Her throat has been slit. Laurie screams. Laurie Strode (sobbing) SheÕs dead. Tommy opens the door and pulls Lindsay out. He lays her on the sidewalk. Laurie Strode What are you doing? Tommy Doyle Get in. Laurie reluctantly gets in the passenger side. Tommy gets in the drivers side. Tommy drives away from the gas station. Cut To: Int. Car. Laurie Strode Where are we going? Tommy Doyle We just keep driving. They drive for a while without saying anything. Suddenly Michael Myers sits up in the back seat. The Halloween Them begins to play. Michael reaches up and stabs his knife through TommyÕs temple. Laurie screams. Michael reaches for her but she slaps at him. The car goes off the road and smashes into a tree. The Halloween Them stops. Laurie is thrown from the car. She is still alive, but cut up badly. P.O.V on Car. The car is ignited in flames. There is no sign of Michael being alive. Suddenly the door opens and Michael slides out to the ground. LaurieÕs eyes are big. She sees that Michael isnÕt moving and is relieved. Michael suddenly sits up. He looks over at Laurie. Laurie sees him. She starts to crawl away. She is too hurt to run or walk. Michael begins stalking her. The stalking theme plays. Laurie begins sobbing. Michael stands over her. Laurie turns over on her back. Michael holds the knife up in the air. Laurie Strode This is it Michael. IÕm the last. Michael stabs his knife into LaurieÕs heart. Michael stares down a at her. He realizes that itÕs over. He takes his mask off. He drops the knife and mask on the ground. He starts to walk away. Pinhead (V.O.) Michael Myers. Michael Myers turns around. We see Pinhead and the Female Cenobite standing and looking at Michael. Female Cenobite It isnÕt over. Pinhead It isnÕt over. You are required by Hell. Michael starts to turn back around and walk away. Pinhead You once took great pleasure in tearing flesh apart. You suffered a large amount of pain not being able to kill your family for so long. Now is the time to make others suffer. Michael turns around and gives his full attention to Pinhead. Pinhead The desire you once had to be in Hell is gone. Hell would not have you before, because your job wasnÕt finished. Hell will now embrace you. Michael stands with no expressions, no emotions on his face. A sudden rage takes over Michael. Michael picks up his mask and knife. P.O.V. on Michael Myers, who has his back to us. He puts on the mask. He turns around to face the CAMERA. A heavy breathing surrounds us. Pinhead It is time to enjoy your flesh. Hooks come out of every direction and sink into MichaelÕs skin. The hooks pull him apart. Pinhead and the Female Cenobite disappear into the Blackness. The CAMERA pans back so we an see the Hell Hunters who have seemingly witnessed the whole thing. Zach Hennis Now, he is part of Hell. Cut To: Int. PinheadÕs Hell-A fiery wasteland. We see all of the killers that have been taken by Hell. Pinhead and the Female Cenobite appear before them. Pinhead Hell, Flesh, Pain, Pleasure, Suffer, Anger, and MiseryÉare all in dire need of YOU. The Unforgiven has been acquired by the Death Realm Council. Freddy Kreuger Did the bitch go to Heaven or Hell? Pinhead No. The Female Cenobite turns and looks at Pinhead. Female Cenobite No? Pinhead No. He has created his own Hell. Djinn The prophecy was incorrect. He was suppose to choose Heaven. Pinhead Yes. Candyman So, if he was suppose to choose Heaven. What made him join a Hell? Pinhead His pleasure for the pain. Leprechaun IÕm just a wee bit curious. What was the prophecy? Pennywise The Unforgiven was supposed to choose Heaven. Heaven would then be the inevitable winner. We would all float. Killjoy But now that the prophecy has changedÉ Candyman We can win. Pinhead GentlemenÉ Hellwar has begun. Chucky WaitÉ Pinhead What is it now? Chucky I think we all have some un-fuckin-finished business to take care of. P.O.V on Jason Jason nods in agreement. Pinhead Yes. It seems I have forgotten what I was after. Close in on Pinhead. Fade In On: Unforgiven Hell It is a desert wasteland with a night sky but is bright enough to see the surroundings. Casey Purdum So whatÕs our job in this piece of shit Hell? Zach Hennis We are the Hell Hunters. Our job is to destroy any parallel Hell that we come across. Jenni Crager So we donÕt have to save or rescue or anything? JustÉ Zach Hennis Just destroy Hells. Jessica Flora Do any of us know how many killers, demons, or whatever is out there we have to fight? Zach Hennis No. Casey Purdum Then how do we know what to do? Zach Hennis ItÕs in our instincts now. Zach Hennis looks up into the sky. Zach Hennis Hellwar. Cut To: Int. Labyrinth We see Kirsty Collins running through the halls of the Labyrinth. She stops. She looks all around her. Kirsty Collins Daddy! Pinhead appears behind her. Pinhead Kirsty. IÕm so sorry. Kirsty Collins Sorry for what? Pinhead I have been ignoring your flesh. Kirsty starts running again. Kirsty runs into a room. She stops. P.O.V on Kirsty She is straining her eyes to see something. P.O.V. Through Kirsty. In the distance we see Frank Cotton. Frank Cotton Kirsty. Come to Uncle Frank. Kirsty Collins You son of a bitch. YouÕre dead. Frank Cotton (Humored)Well, it doesnÕt look like it. Frank walks up to Kirsty. Kirsty is frozen with fear. Frank raises his hand to hit Kirsty. Frank Cotton YouÕve been a bad girl, Kirsty. Suddenly a hook flies into FrankÕs hand. Pinhead This is becoming quite a habit, Frank. More hooks sink into Frank. Pinhead Let us break this habit. The hooks tear apart FrankÕs flesh. Kirsty screams. She runs away. The CAMERA follows Kirsty through the Labyrinth. Pinhead (V.O.) Kirsty, you canÕt escape. I will, embrace your flesh. (Echoing) Kirsty turns a corner and runs into the Dr. Channard Cenobite. Kirsty Collins Dr. Channard? Dr. Channard The doctor is in. The Channard CenobiteÕs knives, slash Kirsty many times. Kirsty falls to the ground dead. The Female Cenobite and Pinhead appear before the Channard Cenobite. Pinhead motions the hooks. The hooks sink into the Channard Cenobite. The Channard Cenobite cuts the hooks off with his knives. The Channard Cenobite ÒshootsÓ his knives at the Female Cenobite. They cut her up. The Female Cenobite falls dead, and she turns into the stripper she used to be. Dr. Channard Hell belongs to me. Pinhead I wonÕt give you the pleasure, but the pain, is yours. More hooks fly out and sink into the Channard Cenobite. He tries to cut them off but it doesnÕt work. These seem to be stronger hooks. The hooks pull the Channard Cenobite apart. Cut To: UnforgivenÕs Hell We see the Hell Hunters all sitting on the ground. Moments later, Suddenly Zach stands up and looks to the sky. Jenni Crager What? What is it? Zach Hennis HellÕs calling. Cut To: Ext. BatesÕ Motel-Night It is raining heavily. Cut To: Int. BatesÕ Motel office. We see Norman Bates standing behind the desk. He turns around and looks out the window, up at the house. Norman Bates Yes, coming mother. Norman walks out of the office, locks the door, and runs up to the house. The CAMERA pans back to bring the Hell Hunters into view of the CAMERA. They are dressed in black leather, with a trench coat looking thing. Cut To: Int. BatesÕ House We see Norman Bates dressed as his mother, sitting in a rocking chair. Cut To: Int. House P.O.V on Front Door. It opens and the Hell Hunters walk in. Cut To: Int. House-Upstairs P.O.V on Norman Bates still rocking in the chair. We hear the door slam shut downstairs. Norman stops rocking. Cu To: Int. House-Stairway. We see the Hunters walking up the stairs. P.O.V. Through Hell Hunters. We see Norman Bates run across the hall and into a room. P.O.V. on Hell Hunters. Casey Purdum That was him. The Hell Hunters run into the room where Norman Bates went. P.O.V. Through Hell Hunters. We see nothing. P.O.V. on Hunters Jessica Flora WhereÕd he go? Suddenly Norman steps out of a dark closet on the opposite side of the room. He charges the Hell Hunters with an ax. Norman Bates Mother says to kill you! The Hell Hunters pull guns out of their trench coats and shoot Norman Bates to death. Zach Hennis Mother is in Hell. Flash Cut: To Black. Fade In On: Ext. Diner-Crystal Lake-Night We hear Ch-Ch-Ch-Ha-Ha-Ha playing in the background. Cut To: Int. Diner We see Diana Kimble serve food to Jessica Kimble(her daughter) and Tommy Jarvis. She sits down with them. Diana Kimble YouÕre the last ones tonight, I hope. Tommy Jarvis I donÕt think anyone else eats this late. Diana Kimble YouÕd be surprised. Jessica Kimble Mom, why donÕt you just go on home? Diana Kimble NoÉI could use the company right now. Tommy Jarvis I thinkÉ The Diner door opens. Creighton Duke walks in. Diana Kimble Oh Shit. Jessica Kimble What is it? Jessica and Tommy turn around and see Creighton Duke. Diana Kimble (To Creighton Duke) What do you want? Creighton Duke walks over to the booth that they are sitting at. Creighton Duke The moon has changed, the sky turned black. HeÕs back Diana. HeÕll come for you. HeÕll finish what he started. Diana Kimble HeÕsÉ Jessica Kimble HeÕs dead. I saw him die. Creighton Duke He wasnÕt dead. His soul was justÉunconscious. Suddenly the lights flicker off. Creighton Duke See, itÕs happening again. Tommy Jarvis ItÕs just the storm. Creighton Duke Tommy, You should know better than any of us that Jason Voorhees canÕt die. Tommy Jarvis HeÕs dead! I saw him die! Once by my own hands. Creighton Duke What makes you think he canÕt come back again? Tommy Jarvis IÉ Diana Kimble I guess it wouldnÕt hurt to be ready just in case he is back. Creighton Duke No. No it wouldnÕt. Diana Kimble Jessica, thereÕs a gun in my locker. Go get it. Jessica Kimble Okay. Jessica gets up from the table and walks to the back of the store. Diana Kimble I hope youÕre wrong about this. Creighton Duke I hope she comes back. Cut To: Int. Diner-Back Room We see Jessica pick up a set of keys off the counter. She walks over to a metal locker. She starts trying different keys in the lock. None of them work. We hear Ch-Ch-Ch-Ha-Ha-Ha play. She finds the right key. She opens the locker. P.O.V. Through Jessica. We see a severed head laying at the bottom of the locker. She is in shock and crying. She begins to step backward. She runs into something solid. She turns around. ItÕs Jason Voorhees. Jessica Kimble No. It canÕtÉ Jason stabs his machete into JessicaÕs stomach. He lifts the machete up and it slices Jessica in half. Jessica falls dead. Jason turns and walks out of the back room. Cut To: Int. Diner-Dining Room Diana Kimble Oh. I forgot to tell her which key it was. Diana gets up from the table and starts to walk towards the back room. Before she gets any farther, Creighton Duke grabs her. Creighton Duke DonÕt you think she wouldÕve come back by now. Suddenly Jason busts down the Kitchen door. Creighton Duke Oh sweet mother of shit! Run! Tommy and Diana run out of the diner. Creighton reaches the door. Jason throws his machete and it goes though DukeÕs back. Duke flies out the door with the machete in his back and land on the door step to the diner. Jason walks out of the diner and up to the DukeÕs body, and pulls the machete out. Jason chases after Diana and Tommy. Cut To: Tommy and Diana-Streets-Night They run across the street and into the woods. They run deep into the woods. They stop running. They start looking in all directions. They have got turned around in the woods. Diana Kimble Which way do we go? Tommy Jarvis Which way did we come from? Diana Kimble LetÕs just stay away from Jason. They start running again. They run for a while. Jason sticks his machete out from behind a tree. It cuts TommyÕs head off. Diana stands by the body. Diana begins screaming. Diana Kimble You bastard. Jason steps out into view. Diana begins to run again. Jason starts after her. Diana runs until she comes up on an old shack in the woods. She walks in. Diana Kimble Hello? There is no answer. Diana Kimble Anybody here? She walks deeper into the room. We see Jason walk up to the shack. He stands just outside the door. P.O.V. Through Pamela Voorhees. She approaches Jason from behind. She puts her hand on JasonÕs shoulder. Jason turns and slashes his machete into the side of Pamela Voorhees. Pamela Voorhees falls to her knees. Pamela Voorhees Kill her Jason. Mrs. Voorhees falls to the ground dead. Jason turns away from the body and storms into the shack. Diana is standing in the middle of the room. She see Jason and screams. Jason starts swinging his machete in a rage. Diana begins walking backward. Still screaming. She trips over a table and falls down. Jason stands over her. He begins chopping her up with his machete. He stops. He walks out of the shack. Cut To: UnforgivenÕs Hell We see the Hell Hunters walking. Suddenly Zach stops. His head begins turning in all directions. Casey Purdum What? Is Hell calling? Zach Hennis No. ItÕs screaming. The CAMERA gets a shot of all the Hell Hunters. Zach Hennis (contÕd) We have to go in separate directions. Cut To: Ext. Jimmy Bones House-Day We are in the hood. Kids are playing basketball in the street. The CAMERA starts to zoom in. Jenni Crager walks into view. She is dressed in black lace. She stops walking. The CAMERA continues to zoom in. It zooms in as far as it can. Flash Cut To: Ext. House-Day-New York It seems to be fall in New York. Leaves are falling from trees. The CAMERA pans up next to a tree than begins to ascend up the tree. The CAMERA brings Jessica Flora into view, who is sitting in the tree. She is also dressed in black lace but with a different design. Flash Cut To: San Antonio Bay-Midday. P.O.V on the bay. We see the fog rolling in far in the distance. We see a figure walking down on the bay. Cut To: P.O.V. on the figure. ItÕs Casey Purdum. HeÕs dressed in black leather. Casey Purdum (whisper) The dead are in the fog. Flash Cut To: Ext. Glass House(from 13 Ghosts)-Day The CAMERA pans up the house until we see Zach Hennis perched on the roof of the house. He too is wearing black leather. Zach Hennis HellÕs House. DemonÕs Den. LuciferÕs Lair. The Ghosts are out and ready to play. Flash Cut To: Int. Jimmy Bones House It is very dark and creepy. P.O.V. on the door. We see the door open and Jenni Crager walks in. Jenni Crager Bones! I know youÕre here! Suddenly a man dressed like a butler comes walking towards Jenni. Jenni draws one of her guns. Jenni Crager Who are you? Butler I should ask you the same question. Jenni Crager WhereÕs Jimmy Bones? Butler HeÕs been dead forÉ Well, a long time. The house belongs to master Smith now. The Butler suddenly disappears in a ghostly way. Jenni Crager What the hell? The door on the other side of the room begins to slowly open by itself. Jenni starts walking towards the door. She peeks inside the room. Nothing. Mr. Smith (V.O) Come In. Jenni walks into the room. She begins looking around for the voiceÕs owner. Mr. Smith steps out of the shaqdows. Jenni pulls her guns out. Jenni Crager What are you? Mr. Smith spins around many times like a tornado and turns into Jimmy Bones. Jimmy Bones IÕm Jimmy Bones. Jenni starts shooting at him. Bones disappears like a ghost. He appears behind Jenni. Bones starts caressing her face. He raises his head up and opens his mouth to reveal fangs, not like a vampire, but like those of a wolf. He starts to lower his head towards JenniÕs jugular. Just as Bones is about to bite her, we hear a gun shot. Bones backs away. He is holding his stomach. Jenni raises her guns and shoots him many times, one bullet goes through his mouth. The CAMERA follows the bullet through Bones mouth. Cut To: Int. House-New York We see Damien riding around the house on a tricycle. Lightning flashes. Flash Cut To: P.O.V on Jessica who is standing just inside the front door. Jessica slowly walks deeper into the house. She turns and looks into the bathroom. P.O.V through Jessica. We see a cross upside down hanging on the wall. P.O.V. on end of the hallway. We see Damien cross the hallway, giggling. Jessica turns startled. Jessica Flora Damien? I donÕt want to hurt you. IÕm here to help. We hear Damien giggle again. Jessica walks towards where Damien went. She stops just outside the doorway. Suddenly a vase comes flying out of the room and breaks on the wall. Jessica jumps back and falls to the ground. Damien giggles. Jessica sits back up. Suddenly Damien comes out of the room with a knife. He begins slashing it at Jessica. Jessica kicks him away. Jessica blindly starts shooting her guns, trying to hit Damien. She looks, Damien is gone. Jessica stands up. Jessica Flora Where are you, you littleÉ Jessica turns in to the kitchen. She sees Damien at the other side of the kitchen. HeÕs holding two knives. Damien throws both knives. Jessica falls to her knees. The knives sail over her head. She pulls her guns out and shoots Damien dead. Flash Cut To: San Antonio Bay-Streets-Night There is a thick fog covering the entire town. We see Casey Purdum walking the streets. Casey Purdum If you want revenge, show yourself! P.O.V through Casey. Nothing, just fog. P.O.V on Casey. Casey walks to the middle of the street. P.O.V through Casey. He slowly looks around. We notice that there is no one in sight. Casey turns his attention to a church on top of a hill. The churchÕs tower flame is lit. P.O.V on Casey. He runs out of CAMERA view. Cut To: Int. Church Tower-Night. We see a Priest, a male, and a female standing scared in the tower. Fog consumes the outside of the tower. Suddenly there are several hard knock at the door. Priest Go away Kane! There are more hard knocks. Female (sobbing) What are we going to do? Male Just calm down. Priest I fear that the only way to stop this once and for all is to let them kill me. IÕm the one theyÕre after. Male DonÕt be stupid father. Priest Damnit man, donÕt you want to end all of this. Male (surprised) Not at the cost of your life. Suddenly the door busts down. The people of the fog stand as the fog rolls into the room. We start to see red eyes coming closer to the room. Priest Kane!É Leave this place! The fog people walk out of the fog. P.O.V on Priest. He is at a loss for words. The fog people start walking towards them. The Priest, male, and female stand up against the wall. The people of the fog draw nearer and nearer. Suddenly we see Casey climb into the window of the tower. He stands in the window. He pulls out his guns. Casey Purdum Die! He starts shooting the fog people. Kane wonÕt go down. Casey walks up to Kane. Kane swings and misses. It spins him all the way around. Casey puts the gun to KaneÕs head and shoots him dead. Priest OhÉThank youÉ Casey Purdum DonÕt thank me fatherÉ. For I have sinned. Casey shoots the priest. Casey Purdum CouldnÕt have them come back again. Just donÕt want to. Casey shoots the male and female. Cut To: Ext. Thirteen Ghosts Glass House-Night Zach Hennis stands facing the door of the house. Moments later we hear rustling behind Zach. Zach turns around. We see Pinhead standing there. His black eyes staring straight at Zach. Pinhead MmmmÉ Hell Hunter. Zach Hennis You can see me. Pinhead Oh yes. I always have. You just werenÕt ready to know. Zach Hennis WhyÉ I mean why now? Pinhead You cannot go in there Hell Hunter. Zach Hennis I have to. ItÕs my job. Pinhead Those demons in there will escape if you open that door, and theyÕll bring Hell to the world. Zach Hennis Why would you want to stop this? Pinhead They are not of hell. However, you are! Zach Hennis Part of Hell, yes. Part of your Hell, No! Pinhead Hell Hunter, do you know your story? Zach Hennis Of courseÉ IÕm a Hell Hunter, sworn to eliminate anyÉ Pinhead No! ThatÕs not it. Zach Hennis The what? WhatÕs my story? Pinhead In your previous termÉ You were the savior for Hell. You helped us survive. After you saved Hell, you were put into the Labyrinth. Now your back, you must side with Hell, ItÕs your fate; you must follow your destiny Hell Hunter. Zach Hennis No. Now I am the savior for all that is good. Pinhead Good? You think that youÕre the savior for good? Zach Hennis Yes! Pinhead Tell me, Hell Hunter, if you are a savior for Heaven, why didnÕt you choose Heaven over Hell? Zach Hennis I--- Pinhead You knew what you are, you couldnÕt destroy it, you could only hide it by creating your own Hell. You must come with me; taste the pleasure of Hell, Again! Zach Hennis Why join your Hell? My Hell outnumbers yours. Pinhead Pain and Suffering cannot be outnumbered Hell Hunter. Pinhead raises his hands up from his sides. Michael Myers, Jason Voorhees, Freddy Kreuger, Leatherface, and Candyman appear beside Pinhead. Zach Hennis Shit. Pinhead DonÕt be afraid Hell Hunter, these are your demons. I brought them to this Hell to join your army. We are at your control, but only if you join out Hell. Zach Hennis Look, the answer is No! Pinhead You canÕt stop Hell. You can only forget that it exists. YouÕll never forget about Hell. You belong to Hell and Hell belongs to you. Sooner or later, Hell Hunter, youÕll be indulged by hatred and then youÕll want to kill again. Why no make it sooner than later? Zach Hennis Why should I join? I have no pleasure in pain or suffer. Pinhead We are the same Hell Hunter. YouÕre pain, IÕm suffer, YouÕre suffer, IÕm pain. There is no distinguishing between us. Moment of silence. Pinhead At a loss for words? IÕll leave you alone Hell Hunter; IÕll let you ponder your thoughts. Pinhead and the others disappear. Cut To: Unforgiven Hell We see the Hell Hunters walking around with purpose. Casey Purdum For some reasonÉhe wants you to coexist with him. Jenni Crager HeÕs afraid of us. He wants us to join with them so weÕre not a threat to him. Zach Hennis No, I feel it. I can almost remember. Jessica Flora What? Zach Hennis That I was HellÕs savior. Jenni Crager No, no, no. HeÕs lying about that. HeÕs trying to trick you. Zach Hennis But I can feelÉ ZachÕs body begins twitching all over the place. Casey Purdum Is it Pinhead? Zach Hennis No. Jessica Flora Is it Hell? Zach Hennis No. Jenni Crager Is itÉ Zach Hennis ItÕs the Underworld. Cut To: Int. Sewer It is a very large sewer. We see glowing eyes appear in one of the tunnels. The eyes begin to move towards the CAMERA. Werewolves step out of the darkness. We hear moaning coming from another tunnel. The moaning gets louder and louder untilÉout steps the Living Dead. We hear wings flapping coming from a third tunnel. The flapping stops. Vampires step out of the tunnel. Each group stands there ground, making noises and faces at each other. Suddenly, from up above, the sewer cover comes off, and the Hell Hunters drop down one by one. All groups stand motionless. Casey Purdum LetÕs rock! The other three groups rush the Hell Hunters. The Hell Hunters draw their guns and open fire. The Hell Hunters get closed in and the other three groups pull their guns away from them. It now becomes a free for all. ItÕs Zombies vs Werewolves, Vampires vs Werewolves, Werewolves vs Zombies, and then throw the Hell Hunters into the mix. It is a gruesome fight. We see one of the vampires pick up a gun. He looks over at Zach Hennis. The Vampire raises the gun. Suddenly Jenni Crager kicks the vampire in the face. The vampire falls to the ground, the gun lands right beside him. He picks up the gun and points at Jenni. Jenni has her back to us. The vampire fires a whole round off into Jenni. We see Zach Hennis turn and see Jenni fall to the ground. He stands motionless with a sorrowful look on his face. A few seconds later he begins to fight again as if nothing happened, as if he knew she would die. The fight continues for a few more minutes. Then we see three vampires carry Jessica Flora down one of the tunnels. The CAMERA follows them. They throw Jessica to the floor. They begin ripping her and tearing her clothes and skin. Moments later we see a dark figure step behind the vampires. The other vampires look up. P.O.V. on Figure. ItÕs Dracula. Dracula Stop wasting your time. Dracula lifts up a gun and shoot Jessica three times in the hed. The Vampires and Dracula go back and join the fight. Few moments later Casey Purdum and Zach Hennis have killed everyone except Dracula. Dracula stands before them. Dracula I thirst for your blood. Zach Hennis Then we wonÕt be of much use. Casey Purdum We donÕt have blood, weÕre dead. Much like you. Dracula YouÉare the Hell Hunters? Zach Hennis ThatÕs right. Dracula Then this should be the most fun IÕve had in a while. Dracula raises up in midair. He begins to swoop down at the Hell Hunters. Suddenly we see chains come out of the blackness behind Dracula. The chains pull him into the darkness. A few seconds later, Pinhead steps out of the blackness following him is Michael, Jason, Freddy, Candyman, and Leatherface. Freddy Krueger This place looks likeÉHell! Ha, Ha Ha. Zach Hennis Why have you saves me again? Pinhead You are my saviorÉI fight for HellÉYou. Hell needs youÉYou need Hell. Zach Hennis I have my Hell. Pinhead YouÕre Hell is weakÉit is fake. Come join the real Hell. You belong here. Zach Hennis Enough of this shit! (breathing Heavily) Zach looks down at JenniÕs body. Zach Hennis I thought we couldnÕt die. Pinhead You canÕt, but they can. Freddy Kreuger Go ask the Death Realm Council about it. Ha. Ha. Ha. The Cenobites disappear into the blackness. Casey and Zach look at each other. Cut To: Death Realm. We see Casey and Zach appear in the center of the room. They look around the room. The whole council lays on top of their desk/table, dead. Casey Purdum Damnit. Zach Hennis They really donÕt want me to deny them. Casey Purdum So what are you gonna do? Zach Hennis The only thing I can do. Destroy their Hell. The Candyman appears behind them. CandymanÕ You canÕt destroy our Hell. Zach Hennis Step 1. The Hell Hunters draw their guns, turn around, and pump the Candyman full of lead. They Candyman lays on the groundÉmoments later his body disappears. Pinhead steps out of the shadows. Pinhead If you destroy Hell, You will be destroying your own creation. You created us. And by destroying Hell, you destroy everything with it. UsÉandÉYou. Zach Hennis It has to be done. Pinhead No! Hell does not need destruction. Hell needs pain and suffering. Zach Hennis It is inevitable. Pinhead MmmmÉHell HunterÉIf you feel the needÉHell is waiting for you in its purest places. Pinhead disappears. Casey Purdum What did he mean by that? Zach Hennis He has restored each killer to their original town of terror. Cut To: Elm Street The CAMERA pans down the street swirving back and forth looking at each house. Suddenly the CAMERA stops. The CAMERA pulls all the way back. The CAMERA does a 180 spin. We see the Hell Hunters standing in the picture. P.O.V Through the Hell Hunters. We see five pigs cross their path. P.O.V. on Hell Hunters Casey Purdum What the fuck? Zach Hennis points in a direction. Zach Hennis Is that the house? Casey follows ZachÕs finger. Casey Purdum I donÕt know. Casey points. Casey Purdum Maybe itÕsÉHoly shit. CAMERA pans to CaseyÕs direction and we see the five pigs laying on the sidewalk butchered. Casey Purdum Oh Shit. Freddy Krueger (V.O.) Ha. Ha. Ha. HA. Bad Pork. Zach Hennis Krueger! Get Your ass out here! Freddy Krueger Why donÕt you come find me? Ha. Ha. Ha. Nancy could always find me. Casey Purdum HeÕs in NancyÕs house. The Hell Hunters run up to the front door of NancyÕs house. Zach Hennis slowly opens the door. The Hell Hunters walk into the house. They stand just inside the doorway. We see footsteps of fire leading upstairs. We also see a long claw mark on the floor leading to the middle of the house. Zach looks upstairs then looks to the middle. Zach Hennis Upstairs. The Hell Hunters run up the steps. Casey tries to open the door to NancyÕs room but itÕs locked. Casey rams the door with his shoulder until it finally opens. The Hell Hunters walk into the room. We see Nancy laying in her bed. She is seemingly having a nightmare. Zach Hennis draws his gun and points it at Nancy. Casey Purdum What are you doing? ItÕs not Freddy. Zach Hennis It could be. Nancy continues to struggle with her dream. Zach Hennis realizes that itÕs not Freddy and lowers his gun. Suddenly Nancy sits up. Nancy (w/ Freddy voice) Welcome to my Nightmare. Ha. Ha. Ha. Suddenly thereÕs a flash. When the flash clears we see the Hell Hunters standing in FreddyÕs boiler room. Casey Purdum That bastard. Freddy Krueger (V.O.) WhatÕs wrong? HellÕs not what you pictured it o be? Zach Hennis This isnÕt Hell! Suddenly Freddy jumps down behind the Hell Hunters. Freddy Krueger Hey. Chief. The Hell Hunters turn around. Freddy takes a swing at Zach Hennis with his claws. Zach blocks it and punches Freddy. Zach then knees Freddy in the stomach hard sending him over the railing and down to the floor of the boiler room. Zach Hennis and Casey Purdum jump the railing. They land where Freddy did but Freddy s gone. Freddy jumps out from behind a pole and stabs his knives into the back of Zach Hennis. Zach falls to his knees. Casey pulls out his gun and fires three shots into the chest of Freddy Krueger. Casey walks over to Freddy. Freddy trips Casey to the floor. Just as Freddy is about to stab Freddy with his knives, Zach spins around and fires a round off into Freddy. Freddy lays on the ground still alive as the Hell Hunters stand over him. Right before the Hell Hunters get ready to finish him off, hooks come out and hook into Freddy and pull him apart. P.O.V. on Hell Hunters Zach Hennis and Casey Purdum stand over the ripped bosy. Suddenly ZachÕs head pops up. Casey Purdum Post Haste. Zach Hennis Time to kill. The HunterÕs run into the darkness of the boiler room. Cut To: Ext. Hewitt House-Night. A few of the lights in the house are blaring out into the darkness of the night. Cut To: Int. Hewitt House-Basement We see Leatherface cutting up a young teenage girl with his chainsaw. After he hack off each limb, he throws them, each in different directions. Suddenly we hear footsteps walking on the floor above Leatherface. Leatherface looks up. He grabs his chainsaw and runs out of view. Cut To: Int. Hewitt House-Main floor. We see the Hell Hunters wandering around the Hewitt House. The Hell Hunters walk over to the sliding door. There is a eye whole in the door. The Hell Hunters try to open it but itÕs locked. Casey Purdum Damn thing wonÕt budge. Zach Hennis LetÕs look around again. The Hell Hunters walk around the house again. They find nothing. Casey Purdum Fuck. Maybe he wasnÕt restored. Zach Hennis I feel it. HeÕs here. Somewhere. Zach Hennis walks up to the sliding door again. Casey Purdum follows him. Zach and Casey try to pull it open but it still wonÕ budge. Suddenly Leatherface jumps out of the doorway behind them and starts the chainsaw and takes a swing at the Hell Hunters. The Hell Hunters duck under the chainsaw and run out the front door. Leatherface chases them. Leatherface trips as he is running out the door. He tumbles head over heel and slices his leg off with the chainsaw. The Hell Hunters turn and pull out their guns. Leatherface stands up on his leg with chainsaw in hand. He takes a few hops towards the Hell Hunters. The Hell Hunters open fire on Leatherface. They shoot Leatherface dead and lower their guns. A sudden burst of red and instead of being in front of the Hewitt House we are in Crystal Lake. Zach Hennis What the Hell happened? Casey Purdum HellÕs powers must be growing. Zach Hennis They must. The Hell Hunters walk over to the cabin area. They walk up to one of the cabins. Zach Hennis opens the door. P.O.V. Through Hell Hunters. We see a blood filled cabin. The walls, floors, and beds are all splattered with blood. Casey Purdum Damnit Jason. Zach Hennis SomeoneÕs got to be alive. Suddenly we hear a scream come from down by the lake. Zach Hennis The lake. The Hell Hunters run down towards the lake. The CAMERA follows them. Suddenly they run into a teenage girl. Girl AhhhÉ Help me. Casey Purdum Is he chasing you? Girl (sobbing) Yes. Zach Hennis Where is he? Girl (sobbing) He was right behind me. Casey grabs the girls shoulders and holds her right in front of him. Casey Purdum We are here to save you. Suddenly a machete goes through both, the girl and Casey Purdum. Zach realizes this. Zach Hennis Nooo! Zach runs over to them. He pulls the machete out of them. They both fall to the ground dead. Zach Hennis Fuck! Jason! Bring your ass out here! Jason steps out into view of the CAMERA directly behind Zach. Jason raises his machete in the air behind Zach. Just as Jason begins his swipe down, Zach pulls his guns out and turns around and blocks the machete. Jason is pressing the machete downward. Zach kicks Jason away. Zach runs down to the lake. Jason follows him. Jason and Zach stand about ten feet away from each other. They are just staring at each other. Zach Hennis Jason. You mother wants you. Zach raises his guns, and begins to unload on Jason Voorhees. The bullets donÕt seem to be affecting him. Zach throws his guns down. Zach charges Jason. He begins punching Jason in the mask and the body. Jason takes several swings with the machete. Zach ducks each swing and continues to punch Jason. Zach winds up for a big punch but this time Jason moves and Zach falls to the ground after the big swing. Jason stands over Zach. P.O.V. through Zach. Jason raises his machete high in the air. Just as Jason begins to swing downward, hooks come out of the lake and grab the machete and pull it back into the lake. Jason turns to the lake in a pissed off manner. He is just staring down into the lake. Suddenly hooks come out of the lake and hook into JasonÕs face, arms, body, and legs. We see Zach Hennis sit up. He gives a confused look. The hooks finally pull Jason into the water. The CAMERA follows Jason until he reaches the bottom of the lake. P.O.V. on Zach Zach Hennis (To himself) What were the hooks doing here? Pinhead steps out from behind a tree. Pinhead I couldnÕt let Jason kill you, kill HellÕs messiah. Zach Hennis Why? I see nothing wrong with that. Pinhead Oh Hell Hunter. You seem scared now that youÕre alone. Zach Hennis Scared? Pinhead If you werenÕt scared, Jason wouldÕve been a far more simple test. Zach Hennis But why didnÕt you let me die? Pinhead Michael wants to play. Pinhead disappears. Suddenly the ground and screen start shaking. The screen goes black. The shaking stops. Flash Cut To: Ext. Haddonfield Elementary School-Night We see Zach Hennis lying on the sidewalk. He slowly gets up. He gets his bearings back. He walks towards the road. There is a truck coming his way. Zach flags it down. Zach walks over to the driver side window. Driver You look like shit partner. Hop in, IÕll take you where you need to go. Zach walks over to the passenger side and gets in. The truck drives down the road. P.O.V on Zach and Driver. Driver So where ya headed man? Zach Hennis 45 Lumpkin Lane The Driver stares at Zach like he is crazy. Driver DonÕt you know about Michael Myers? Zach Hennis Believe me, I know more of his Hell than I would like to. Driver YouÕre gonna try to kill him, ainÕt ya. Zach Hennis I have to in order to destroy Hell. Driver I donÕt know nothing of Hell, but I know you canÕt kill this evil. Zach Hennis But I must. Driver Whatever you say fella. IÕll make sure they give you a decent funeral. Zach Hennis They already have. Driver YouÕre starting to spook me man. Zach Hennis It wouldnÕt be the first. The driver pulls to the side of the road. Driver Okay man, this is you. Zach Hennis This isnÕt his house. Driver No, no it isnÕt. But IÕm not gettingÕ any closer to that spook house. ItÕs a block up on the left. Zach gets out and the Driver speed off. Zach walks one block up and stands facing the MyersÕ House. He stands there for a few minutes just staring at the house. Zach walks towards the MyersÕ house. He walks all the way up to the front door. He starts to open the door. Cut To: Int. MyersÕ House We see Zach walk into the house. He walks right into the middle of the house. Zach Hennis Michael! Hell has come for you! ItÕs just me and you, Michael! The others are dead. Zach looks around and doesnÕt see Michael. Zach walks over to the stairs. He begins to ascend the stairs. Zach Hennis Are you up here, Michael? Zach walks into Judith MyersÕ old bedroom. Michael is nowhere to be seen. Zach walks over to MichaelÕs old bedroom. Still no sign of Micahel. Zach walks over to the window. Zach looks over to Tommy DoyleÕs window, where Tommy used to look out of the telescope. P.O.V Through Zach We see Michael Myers staring right at us from TommyÕs room. P.O.V on Zach Zach Hennis You son of a bitch. Zach takes off running out of the room. Cut To: Ext. MyersÕ House-Night We see Zach run out of the front door. He continues to run over to TommyÕs old place. The CAMERA follows him. Zach reaches the front door. Zach opens the front door. To everyoneÕs surprise, Michael Myers is standing at the door. Michael cuts ZachÕs shoulder. Zach stumbles back. Michael begins his pursuit of Zach. Zach reaches for his guns but they are not on him. Zach Hennis Shit. Zach runs back to the MyersÕ House. Michael is stalking him. Zach runs into the House. Cut To: Int. MyersÕ House Zach runs up the stairs and into JudithÕs room. He opens the closet and begins searching through it. Zach Hennis I knew it. Zach pulls out a shotgun left by police many years before. Michael steps into the room and stops just inside the doorway. Zach cocks the shotgun. He unloads 2 rounds into Michael. Michael is only phased for a second. Zach reloads and fires shots into Michael again. This time Michael falls to the ground. Zach is out of bullets. He throws the gun at Michael who is still lying on the ground. Michael suddenly sits up. The Box comes from out of nowhere and slides across the floor and stops just in front of Zach. Zach picks it up. He opens the box. Michael gets on his feet. The comes opens completely, and just before Michael gets to Zach, the box sucks them into the Labyrinth. Cut To: Int. Labyrinth We see Zach Hennis walking around in the Labyrinth. Michael Myers is nowhere to be found. Pinhead (V.O.) Nice of you to play, Hell Hunter. Zach is still roaming around. Suddenly Michael Myers steps out behind him. Michael just follows Zach. Zach walks into a big room that has a fire pit in the middle of it. Zach stops. Michael stabs Zach in the other shoulder. Zach falls to one knee, then gets up quickly. Zach grabs Michael by the neck. Michael raises his knife. Zach hits it away with his free hand. Michael grabs Zach by the neck. Michael is forcing Zach to the middle of the room, towards the fire pit. Zach is standing on the edge of the pit. Michael pulls ZachÕs neck towards him to get enough momentum to throw Zach into the pit. But when Michael pushes Zach back, Zach slips out of MichaelÕs grasp and Zach dives away from the pit. MichaelÕs momentum carries him into the pit of fire. Zach stares down into the Inferno. Pinhead steps in the room behind Zach. Pinhead Ah, Hell Hunter. It seems you have destroyed your army. Zach turns around and looks at Pinhead. Pinhead Welcome home, Zach. Zach Hennis This isnÕt my home. This is Hell. Pinhead Once again you thoughts call out to me, Hell Hunter. ÒIf I canÕt have Hell, then Hell can have me.Ó Zach Hennis NoÉNo! Pinhead ItÕs true. You want to be here. With the rest of us. Zach Hennis No! Pinhead Yes. You must be here. Without you Hell cannot survive. I cannot survive. Zach Hennis Without me, (looking around) all this would cease to be. Pinhead Yes. Zach Hennis Then you leave me no choice. Zach spreads his arms and starts to fall backward into the Inferno. Hooks come out and hook into Zach; he slaps them out of his flesh. They keep coming and he keeps slapping them away as he gets lower and lower in the pit. There is one last hook. Pinhead No, please, donÕt do that. Zach slaps it away and falls into the Inferno. Pinhead Nooooo! The pit seems to be erupting. A few moments later it stops erupting. Suddenly an upside down cross with Zach hanging upside down on it, comes out of the Inferno. Pinhead stares at it. Pinhead Hell still exists. Your plan didnÕt work Hell Hunter. Pinhead turns his back to the cross. P.O.V Square on Zach Hennis Zach opens his eyes. His eyes are more demon like now. He raises his hand out towards Pinhead. A hook comes out of his hand. The hook shoots at the CAMERA. The CAMERA pans back with it. The hook shoots through Pinhead. The CAMERA goes with the hook. We see the hook in the chest of Pinhead. Zach pulls the hook back and Pinhead is pulled into the pit. Zach gets off of the upside down cross. He walks demonically, stalking out of the room and down the dark shadowy hall. Fade Out: To Black Roll Ending Credits.